AA (SUPER HIT) NOORIE A1 (HIT) JAANI DUSHMAN DADA SARGAM (except Delhi-U.P.) A (SEMI HIT) AMAR DEEP SURAKKSHA GOL MAAL KHANDAAN SUHAAG MAN KA AANGAN (DUBBED) BB (OVERFLOW) MR NATWARLAL AATISH TARANA NAUKER AHSAAS KARTAVYA MUQABALA B1 (COMMISSION EARNER) SUNAYANA BIN PHERE HUM TERE JURMANA (Hit in Bombay) JHOOTA KAHIN KA JANDAR CINEMA CINEMA KALA PATTHAR AULEHA-E-ISLAM RAKHI KI SAUGHANDH LADKE BAAP SE BADHKE
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CLASSIFICATION : 1976 AA DUS NUMBRI FAKIRA A1 HERA PHERI NAGIN CHARAS LAILA MAJNU ('AA' in Bombay, Delhi-U.P.) KALICHARAN A SUNTAN TAPASYA BALIKA BADHU YASHODA KRISHNA CHHOTI SI BAAT CHITCHOR MAUSAM KABHI KABHIE ('A1' in Bombay, Delhi-U.P.) SHANKAR DADA BB NEHLE PE DEHLAA ('A' in various circuits) BAJRANGBALI SHANKAR SHAMBHU ('A' in Delhi-U.P., Punjab) SUBSE BADA RUPAIYA SANGRAM MAA ('B' in some places) AAP BEATI UDHAR KA SINDUR B1 TO BB SALAAKHEN TOOFAN AUR BIJLEE BAROOD ('A' in Bombay) JEEVAN JYOTI B1 SIDDHARTHA ZINDAGI ('BB' in some circuits) Do ANJAANE ('BB' in Bombay, Bengal & Losing in many places) EK SE BADHKAR EK NAAG CHAMPA RAKSHAABANDHAN BAIRAAG ('BB' in some circuits & Losing in many places) DO KHILADI B GINNY AUR JOHNNY NAATAK CHALTE CHALTE NOOR-E-ILAHI DEEWANGEE JAANEMAN ARJUN PANDIT
C LASSIFICATION : 1976 AA DUS NUMBRI FAKIRA A1 HERA PHERI NAGIN CHARAS LAILA MAJNU ('AA' in Bombay, Delhi-U.P.) KALICHARAN A SUNTAN TAPASYA BALIKA BADHU YASHODA KRISHNA CHHOTI SI BAAT CHITCHOR MAUSAM KABHI KABHIE ('A1' in Bombay, Delhi-U.P.) SHANKAR DADA BB NEHLE PE DEHLAA ('A' in various circuits) BAJRANGBALI SHANKAR SHAMBHU ('A' in Delhi-U.P., Punjab) SUBSE BADA RUPAIYA SANGRAM MAA ('B' in some places) AAP BEATI UDHAR KA SINDUR B1 TO BB SALAAKHEN TOOFAN AUR BIJLEE BAROOD ('A' in Bombay) JEEVAN JYOTI B1 SIDDHARTHA ZINDAGI ('BB' in some circuits) Do ANJAANE ('BB' in Bombay, Bengal & Losing in many places) EK SE BADHKAR EK NAAG CHAMPA RAKSHAABANDHAN BAIRAAG ('BB' in some circuits & Losing in many places) DO KHILADI B GINNY AUR JOHNNY NAATAK CHALTE CHALTE NOOR-E-ILAHI DEEWANGEE JAANEMAN ARJUN PANDIT
A11 ROTI KAPADA AUR MAKAAN CHOR MACHAYE SHOR A1 DOST GUPT GYAN ('A11' in Bombay, Mysore) BIDAAI PREM NAGAR AMIR GARIB A HAATH KI SAFAI ('A1' in Mysore) ANKUR ROTI SATI ANUSAYA KORA KAGAZ 5 RIFLES AAP KI KASAM KUNWARA BAAP PRAN JAYE PAR VACHAN NA JAYE RAJNIGANDHA PATTHAR AUR PAAYAL SHAITAAN TRIMURTI KHOTE SIKKAY +B RESHAM KI DORI ('A1' in Bengal) MAJBOOR ('A' in Bombay) IMTIHAAN GEETA MERA NAAM ('A' in U.P., Rajasthan) HAR HAR MAHADEV CHARITRAHEEN HAWAS (Losing in Bombay) GOOD B HAMRAHI CHOWKIDAAR (Superb in Delhi-U.P.) THOKAR HANUMAN VIJAY 5 DOST (DUBBED) WO MAIN NAHIN DUNIYA KA MELA B AJANABEE (Good in Bombay, Bengal) KASAUTI BENAAM (Good in Bombay & Suburbs) DO AANKHEN POCKET MAAR 5 DUSHMAN (DUBBED)
A11 HUKUMAT PRATIGHAAT A1 AAG HI AAG A INSANIYAT KE DUSHMAN MR INDIA KHUDGARZ LOHA INSAAF MARTE DAM TAK WATAN KE RAKHWALE SINDOOR KUDRAT KA KANOON +B DANCE DANCE INSAAF KAUN KAREGA MIRCH MASALA PARIVAAR SANSAR INSAF KI PUKAR JALWA JAWAB HUM DENGE DADAGIRI GOOD B PYAR KI JEET INAAM DUS HAZAAR MAA BETI AULAD HAWALAAT B SATYAMEV JAYATE KHOONI MAHAL YAATNA MARD KI ZABAN HIRAASAT DAK BANGLA SADAK CHAAP DAK BANGLA
AA DUS NUMBRI FAKIRA A1 HERA PHERI CHARAS NAGIN LAILA MAJNU ('AA' in Bombay & Delhi-U.P.) KALICHARAN A TAPASYA SUNTAN CHHOTI SI BAAT CHITCHOR MAUSAM BALIKA BADHU SHANKAR DADA YASHODA KRISHNA KABHI KABHIE ('A1' in Bombay ) BB SHANKAR SHAMBHU ('A' in Delhi-U.P. & Punjab) NEHLE PE DEHLA ('A' in various circuits) BAJRANGBALI SUBSE BADA RUPAIYA MAA ('B' in some places) SANGRAAM AAP BEATI UDHAR KA SINDUR B1 TO BB SALAAKHEN TOOFAN AUR BIJLI BAROOD ('A' in Bombay) JEEVAN JYOTI B1 SIDDHARTH ZINDAGI ('BB' in some circuits) DO ANJAANE ('BB' in Bombay, BENGAL & Losing in some places) EK SE BADKAR EK BAIRAAG ('BB' in some circuits and Losing in some circuits) NAAG CHAMPA B Ginny Aur Johny ARJUN PANDIT NAATAK JAANEMAN DEEWANGEE CHALTE CHALTE
A11 ● HUKUMAT ● PRATIGHAAT A1 ● AAG HI AAG A ● INSANIYAT KE DUSHMAN ● KHUDGARZ ● MR INDIA ● LOHA ● INSAAF ● MARTE DAM TAK ● SINDOOR ● SANSAR ● WATAN KE RAKHWALE ● KUDRAT KA KANOON ● PARIVAAR +B ● INSAAF KOUN KAREGA ● MIRCH MASALA ● JALWA ● INSAF KI PUKAR ● JAWAB HUM DENGE ● DANCE DANCE ● DADAGIRI GOOD B ● PYAR KI JEET ● MAA BETI ● INAAM DUS HAZAAR ● AULAD ● HAWALAAT B ● SATYAMEV JAYATE ● DAK BANGLA ● HIRAASAT ● YAATNA ● KHOONI MAHAL ● DILRUBA TANGEWALI ● MARD KI ZABAN ● SADAK CHAP
AA (Super Hit) BOBBY JUGNU YAADON KI BAARAAT A1 (HIT) ANURAAG DAAG LOAFER ZANJEER A (Excellent) DHARMA GARAM HAVA HEERA KAHANI KISMAT KI NAMAK HARAAM BB (Overflow) ANHONEE AA GALE LAG JA AAJ KI TAAZA KHABAR ABHIMAAN ANAMIKA DHUND HANSTE ZAKHM JWAR BHATA JHEEL KE USS PAAR JAISE KO TAISA KEEMAT MANCHALI MERE GHARIBNAWAZ NAAG MERE SAATHI SAMJHAUTA B1 (Commission Earner) ANOKHI ADA DO PHOOL KUCHHE DHAAGE PINJRA SURAJ AUR CHANDA SABAK B (Coverage) BLACKMAIL EK MUTHI AASMAAN GADDAAR KHOON KHOON TEEN CHOR
AA (Super Hit) DUS NUMBRI FAKIRA A1 (Hit) NAGIN HERA PHERI CHARAS LAILA MAJNU ('AA' in Bombay, Delhi-U.P.) KALICHARAN A (Excellent) SUNTAN TAPASYA BALIKA BADHU YASHODA KRISHNA CHHOTI SI BAAT CHITCHOR MAUSAM KABHI KABHIE ('A1' in Bombay) SHANKAR SHAMBHU SHANKAR DADA BB (Overflow) NEHLE PE DEHLA ('A' in various circuits) BAJRANGBALI SUBSE BADA RUPAIYA SANGRAAM MAA ('A' in some circuits) AAP BEATI UDHAR KA SINDUR B1 TO BB (Commission To Overflow) SALAAKHEN TOOFAN AUR BIJLEE BAROOD ('A' in Bombay) JEEVAN JYOTI B1 ( Commission Earner ) SIDDHARTHA ZINDAGI Do ANJAANE ('BB' in Bengal, losing in many places) EK SE BADHKAR EK GINNY AUR JOHNNY NAAG CHAMPA BAIRAAG ('BB' in some circuits, losing in many places) B (Coverage) NAATAK CHALTE CHALTE DEEWANGEE JAANEMAN ARJUN PANDIT
AAA (Super Duper Hit) Kuch Kuch Hota Hai AA (Super Hit) — A1 (Hit) Pyar Toh Hona Hi Tha ('AA' in Bombay & Delhi-U.P.) Pyaar Kiya Toh Darna Kya ('AA' in Bombay, Delhi-U.P. & Nizam) Soldier ('AA' in East Punjab) A (Semi Hit) Bandhan ('AA' in Bihar, Rajasthan & U.P.) Dulhe Raja ('AA' in Bihar) BB (Overflow) Jab Pyaar Kisise Hota Hai ('A1' in some circuits) Ghulam ('AA' in Bombay & 'A1' in South India) Bade Miyan Chhote Miyan Fire (dubbed) Maut Murda Miyan Bivi Aur Woh B1 To BB (Commission To Overflow) Major Saab ('A' in Delhi-U.P.) Kama Sutra - A Tale Of Love (dubbed) Aunty No. 1 Ratree Milan (dubbed) B1 (Commission Earner) Satya ('AA' in Bombay & C.P. and losing in several circuits) Speed 2 (dubbed) Do Numri B To B1 (Coverage To Commission) Tomorrow Never Dies (dubbed) Chandaal ('A' in U.P.) B (Coverage) Gharwali Baharwali (losing in some circuits) Mard S
SHOLA AUR SHABNAM ANPADH BANDINI AYE MILAN KI BELA AAP KI PARCHHAIYAN GANGA KI LAHREN MAIN BHI LADKI HOON HAQEEQAT KAAJAL NEELA AAKASH MAMTA DEVAR PHOOL AUR PATTHAR ANUPAMA DIL NE PHIR YAAD KIYA AYE DIN BAHAAR KE MERE HAMDAM MERE DOST SHIKAR ANKHEN IZZAT YAKEEN AYA SAAWAN JHOOM KE PYAR HI PYAR AADMI AUR INSAAN KAB KYON AUR KAHAN SHARAFAT JEEVAN MRITYU TUM HASEEN MIN JAWAN NAYA ZAMANA MERA GAON MERA DESH RAKHWALA GUDDI SEETA AUR GEETA RAJA JANI SAMADHI DO CHOR LOAFER KEEMAT JUGNU YAADON KI BAARAAT JHEEL KE USS PAAR JWAR BHATA KAHANI KISMET KI DOST PATTHAR AUR PAAYAL RESHAM KI DORI PRATIGYA CHUPKE CHUPKE SHOLAY CHARAS MAA DHARAM VEER CHACHA BHATIJA KHEL KHILARI KA DREAM GIRL PHANDEBAAZ AZAAD KARTAVYA ALI BABA AUR 40 CHOR RAM BALRAM KATILON KE KATIL
SALMAN KHAN SHUT HIS BAD CRITICS AND ANTI MEDIA His critics and wrote him off and finished. The anti media banned him and the industry people termed him arrogant and rude behavior brat but Salman has silenced them with three hits in a row and his performances in all three films has been hugely applauded with laurels. Right now Salman is poised on the brink of a mega blockbuster called Karan Arjun. The film directed by Rakesh Roshan also feature Shah Rukh Khan, but its Salman who outshine everyone including Shah Rukh effortlessly in the film. His performance as an angry young man remind the persona of Amitabh Bachchan. Salman throughout the film looks like a superstar and Shah Rukh has become his shadow whenever they come together in scene. The film is marching towards to become second biggest grosser of all-time by overtaking Maine Pyar Kiya and becoming next only to Hum Aapke Hain Koun. And what's interesting!, all the three films featured Salman in main lead roles. Salman
Cinema Nett Collections Naaz 53,578 Strand 42,920 Lotus 42,029 Capitol 30,879 Jai Hind 30,982 Barkha 39,200 Hindmata 40,689 Rupam Sion 40,340 Deepak 30,282 Gaiety Bandra 35,560 Milan Santacruz 35,989 Amber Andheri 40,078 Sangam Andheri 33,778 Hanjer Jogeshwari 38,703 Topiwala Goregaon 42,563 Sangeeta Malad 30,873 Savera Malad 34,768 Sona Kandivli 33,811 Jaya Borivli 29,689 Kalpana Kurla 33,679 Akash Kurla 29,561 Shreyas Ghatkopar 42,340 Krishna Bandun
Double A1 (Super Hit) 1. BOBBY 2. JUGNU 3. YAADON KI BAARAAT A1 (Hit) 4. ANURAAG 5. DAAG 6. LOAFER 7. ZANJEER A (Excellent) 8. DHARMA 9. HEERA 10. KAHANI KISMAT KI 11. NAMAK HARAAM BB (Overflow) 12. ANHONEE 13. AA GALE LAG JA 14. AAJ KI TAAZA KHABAR 15. ABHIMAAN 16. ANAMIKA 17. DO CHOR 18. DHUND 19. GHARIBNAWAZ 20. HANSTE ZAKHM 21. JWAR BHATA 22. JHEEL KE USS PAAR 23. JAISE KO TAISA 24. KEEMAT 25. MANCHALI 26. NAAG MERE SAATHI 27. SAMJHAUTA B1 (Commission Earner) 28. ANOKHI ADA 29. DO PHOOL 30. KUCHHE DHAAGE 31. PINJRA 32. SURAJ AUR CHANDA 33. SABAK B (Coverage) 34. BLACKMAIL 35. EK MUTHI AASMAAN 36. KHOON KHOON 37. TEEN CHOR
‘BORDER’ SWEEPS BOX-OFFICE ALL OVER IN 1ST WEEK BOMBAY * Draws 26 out of 28 shows full at Shiv, Ahmedabad, in spite of simultaneous release at nearby Relief cinema. * Drew 28 shows full at Rajshri, Gandhinagar, where it collected 4,45,284/-. A late night show had to be specially held on Sunday, June 15, due to public demand. EAST PUNJAB * Creates records at each and every station of East Punjab. Huge crowds had to go disappointed home in most of the shows at most of the centres all through the first week due to house-full boards. C.P. BERAR * Yields a share of over 46 lakh in 1st week in C.P. Berar. NIZAM * Yields a mind-blowing share of 21,79,704/- from 20 cinemas of Hyderabad and Secunderabad.
* KHILADIYON KA KHILADI got the benefit of a housefull show on 5th June at Rituraj, Itarsi. People thought, BORDER had opened at the cinema as it was heavily advertised all over the town that BORDER was coming on 5th June. With the last-minute postponement by one week, the cinema management forgot to change the date in the film’s various boards all over town. People did not notice that BORDER had not been released, even after seeing the publicity of KKK at the cinema! * BORDER has created a city record by collecting a total of 2,05,443/- on the opening day in Nagpur (5 cinemas). It collected 46,736/- at Smruti (5 shows), 42,579/- at Ashirwad (4 shows), 32,120/- at Panchsheel (4 shows), 48,136/- at Jaswant (5 shows), and 35,872/- at Sangam (4 shows). * BORDER has created a unique city record by collecting 69,093/- on the opening day at Rajkamal, Akola. There were over-capacity crowds in the very first show at 6 a.m. when the film collected over 18,000/- against a capacity of 11,000/-!
Friday, August 20 , 1976 Bombay Film Industry Booming By Leslie Murphy Bombay (Reuter) — The motion picture industry in this undisputed film capital of India turns out three to four new films a week and many people here see everyone of them. Bombay is overwhelmed with huge posters and advertising the latest releases and featuring excellently drawn likenesses of the stars. Most do not carry their names, because they are so well known here it would be almost an insult . Most Bombay productions follow the standard formula of popular Hindi melodrama with songs, dances, romance, a large slice of fantasy and violent passion — but not too violent. The industry is bogged down with many taboos and several actions from kissing to drinking, are banned from the screen. Outside the fantasy world, life is hard for more serious film-maker. Even as renowned an artist as Satyajit Ray, probably the best-known Indian director abroad, has trouble getting as showing for his work in India. Nonetheles
Bombay (Reuter) — The motion picture industry in this undisputed film capital of India turns out three to four new films a week and many people here see every- one of them. Bombay is overwhelmed with huge posters and advertising the latest releases and fea- turing excellently drawn likenesses of the stars. Most do not carry their names, beca- use they are so well known here it would be almost an insult. Most Bombay production follow the standard formula of popular Hindi melodrama with songs, dances, romance, a large slice of fantasy and violent passion — but not too violent. The industry is bogged down with many taboos and several actions from kissing to drinking, are ban- ned from the screen. Outside the fantasy world, life is hard for more serious film- maker. Even as renowned an artist as Satyajit Ray, probably the best-known Indian director abroad, has trouble getting as showing for his work in India. Nonetheless, the cinema has become one of Bombay's major ind
Bombay (Reuter) — The motion picture industry in this undisputed film capital of India turns out three to four new films a week and many people here see everyone of them. Bombay is overwhelmed with huge posters and advertising the latest releases and featuring excellently drawn likenesses of the stars. Most do not carry their names, because they are so well known here it would be almost an insult . Most Bombay productions follow the standard formula of popular Hindi melodrama with songs, dances, romance, a large slice of fantasy and violent passion — but not too violent. The industry is bogged down with many taboos and several actions from kissing to drinking, are banned from the screen. Outside the fantasy world, life is hard for more serious film-maker. Even as renowned an artist as Satyajit Ray, probably the best-known Indian director abroad, has trouble getting as showing for his work in India. Nonetheless, the cinema has become one of Bombay's major